Benjamin Britten, Peter Pears, Claire Watson, James Pease, David Kelly, Owen Brannigan, Lauris Elms, Jean Watson, Marion Studholme, Iris Kells, Raymond Nilsson, John Lanigan, Geraint Evans, Marcus Norman & Royal Opera House Orchestra - Peter Grimes, Op. 33 - Act 1: Past Time To Close!
4:22 • Benjamin Britten, Peter Pears, Claire Watson, James Pease, David Kelly, Owen Brannigan, Lauris Elms, Jean Watson, Marion Studholme, Iris Kells, Raymond Nilsson, John Lanigan, Geraint Evans, Marcus Norman & Royal Opera House Orchestra

Похожие песни
Britten: Simple Symphony, Op. 4: II. Playful Pizzicato
English Chamber Orchestra and Benjamin Britten
The Ruins of Athens, Op. 113: Turkish March (Arr. A. Rubinstein)
Sergei Rachmaninoff and Ludwig van Beethoven
Mozart: Le nozze di Figaro, K. 492, Act III: No. 21, Sull' aria... Che soave zeffiretto "Letter Duet"
Edith Mathis, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Karl Böhm and Wolfgang Amadeus Mozart
Les Pêcheurs de perles, WD 13, Act 1: No. 4, Romance, "Je crois entendre encore, caché sous les palmiers" (Nadir)
Jussi Björling/Royal Opera Orchestra, Stockholm/Nils Grevillius and Georges Bizet
The Second Waltz, Op. 99a
André Rieu, Johann Strauss Orchestra and Dmitri Shostakovich
Requiem Aeternam and Dies Irae Dies Irae: Rehearsal of Opening Movement
Benjamin Britten and London Symphony Orchestra
Cesti: Orontea: Intorno all'idol mio
Cecilia Bartoli and György Fischer
The Cloths of Heaven (Orch. by Iain Farrington)
VOCES8 Foundation Choir and Barnaby Smith
An die Musik, D.547
Felicity Lott, Graham Johnson and Franz Schubert
A Charm of Lullabies, Op. 41: V. The Nurse's Song
Benjamin Britten and Helen Watts
Glass: The Hours: Dead Things (Arr. Michael Riesman)
Valentina Lisitsa and Philip Glass
Field: Nocturne No. 2 in C Minor, H. 25
Alice Sara Ott and John Field
R. Strauss: Salome, Op. 54 - original version - Scene 4: "Ah! Herrlich! Wundervoll, wundervoll!"
Kenneth Riegel, Catherine Malfitano, Hanna Schwarz, Wiener Philharmoniker, Christoph von Dohnányi and Richard Strauss
Sanctus Agnus Dei and Libera Me
Benjamin Britten and London Symphony Orchestra
Caligula, Act II Scene 5: Es ist unertraglich. (Mucius, Scipio, Cherea, Mereia, Livia)
Ashley Holland, Michaela Schuster, Martin Wölfel, Gregory Frank, Jurgita Adamonytė, Hans-Jürgen Lazar, Dietrich Volle, Barbara Zechmeister, Constantin Neiconi, Michael Schulte, Jin Soo Lee, Matthias Holzmann, Chor der Oper Frankfurt, Frankfurter Opern- und Museumsorchester and Markus Stenz
Die Verlobung in San Domingo, Act I: Act I: Bei allen Heiligen (Babekan, Christoph, Jeanne)
Fritz Wunderlich, Evelyn Lear and Margarethe Bence
Keyboard Sonata in A Minor, Kk. 175
Jean Rondeau and Domenico Scarlatti
The Young Person's Guide to the Orchestra, Op. 34: Variations and Fugue on a Theme of Purcell: Theme A - Theme F
Leonard Bernstein, Benjamin Britten and New York Philharmonic Orchestra
Dido and Aeneas, Z. 626, Act III: When I Am Laid in Earth
Lea Desandre, Jupiter, Thomas Dunford and Henry Purcell
Opera - Puccini
Hollywood Strings Orchestra
Ladies in Lavender
Joshua Bell
Vesperae Solennes de confessore K. 339: V. Laudate Dominum
Cai Thomas, London Mozart Players, Pegasus Chamber Choir, Robert Lewis and Wolfgang Amadeus Mozart
Wagner : Götterdämmerung : Act 2 "Einen Ring sah ich an deiner Hand" [Brünnhilde, Siegfried, Hagen]
Daniel Barenboim
R. Strauss: Arabella, Lyrische Komödie in drei Aufzügen / Act 3: Papa, so schau mir ins Gesicht!
Lisa Della Casa, Ira Malaniuk, Dietrich Fischer-Dieskau, Georg Paskuda, Karl Christian Kohn, Bayerisches Staatsorchester, Joseph Keilberth and Richard Strauss
The Flower Duet
Charlotte Church
Lord Arthur Savile's Crime: And Now I Want You All to Meet Mr. Podgers
John Winfield, Alan Watt, Anne Collins, Anne Pashley, David Johnson, Eirian James, Geoffrey Moses and Lynne Dawson
Krása: Verlobung im Traum / Act 2: Genug! meine Damen
Charlotte Hellekant, Robert Worle, Albert Dohmen, Frauenstimmen des Ernst-Senff-Chores, Deutsches Symphonie-Orchester Berlin, Lothar Zagrosek and Jane Henschel
The Turn of the Screw, Op. 54, Act 2: Colloquy and Soliloquy. "Why Did You Call Me?" (Governess, Quint, Miss Jessel) (feat. Ian Bostridge, Joan Rodgers & Vivian Tierney)
Daniel Harding and Benjamin Britten
The Tempest, Act 2, Scene II: A monster!
Thomas Ades
Vide Cor Meum
Anthony Hopkins, Danielle de Niese, Bruno Lazzaretti, Libera, The Lyndhurst Orchestra and Gavin Greenaway
O salutaris hostia
Ensemble Altera and Christopher Lowrey
Berg: Lulu / Act 1: Introduktion "Gnädige Frau..." / Canon "Sie bekommen mich noch lange nicht" / Coda "Wie ist dir?"
Evelyn Lear, Loren Driscoll, Orchester der Deutschen Oper Berlin and Karl Böhm
Der Rosenkavalier, Op. 59, TrV 227: Act III: Wie die Stund' hingeht, wie der Wind verweht (Octavian, Baron, Annina, Wirt, Kinder)
Ann Murray, Anna Tomowa-Sintow, Kurt Moll, Alan Opie, Barbara Bonney, Jennifer Rhys-Davies, John Dobson, Gordon Sandison, Paul Crook, Leah Marian Jones, Bonaventura Bottone and Richard Strauss
Britten: Simple Symphony, Op. 4: IV. Frolicsome Finale
Orpheus Chamber Orchestra and Benjamin Britten
Traditional: My Bonnie Lies Over The Ocean
Laura Wright and Royal Philharmonic Orchestra
Requiem Aeternam and Dies Irae What Passing Bells for These Who Die as Cattle
Benjamin Britten and London Symphony Orchestra
Ein Maskenball, Act I: "Nur Scherze sind's und Posen" (Richard, Ulrika, Samuel, Tom, Oskar, Chor)
WDR Sinfonieorchester Köln, Fritz Busch, Lorenz Fehenberger, Martha Mödl, Wilhelm Shirp, Willy Schöneweiß, Anny Schlemm, WDR Rundfunkchor Köln and Giuseppe Verdi
Requiem: VI. The Lord Is My Shepherd
John Rutter, Aurora Orchestra, The Cambridge Singers and Thomas Barber
Prelude and Fugue No. 3 in C-Sharp Major, BWV 848: Fugue
Glenn Gould and Johann Sebastian Bach
Britten: A Midsummer Night's Dream / Act 2: A Midsummer Night's Dream, Act 2: "On The Ground, Sleep Sound"
Choir of Downside School, Purley, Emanuel School Wandsworth, Boys' Choir and Benjamin Britten
Die Worte des Erlösers am Kreuze, Hob. XX:1: IX. Il Terremoto
Metamorphose String Orchestra, Pavel Lyubomudrov and Joseph Haydn
Act 2: Scene I - Dialog: “Zärtlichkeit! Schmeicheln!” (Osmin) „Sklavin? Ha! Das ich nicht lache!” (Blonde) Nr. 9 - Duett: “Ich gehe, doch rathe ich dir” (Osmin, Blonde)
Orchestra Sinfonica RAI di Milano, Peter Maag and Wolfgang Amadeus Mozart
Der Rosenkavalier, Op. 59, Act II: "Herr Baron von Lerchenau!" (Annina, Valzacchi, Ochs, Sophie, Octavian) (feat. Christa Ludwig, Kerstin Meyer, Otto Edelmann & Paul Kuen)
Herbert von Karajan and Richard Strauss
Britten: Peter Grimes, Op. 33 / Act 1: "Past time to close!"
Jonathan Summers, Elizabeth Bainbridge, Patricia Payne, John Dobson, Teresa Cahill, Anne Pashley, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis and Benjamin Britten
Prodana nevesta (Sung in German), Act III: Act III: Marie, mein Schatz! (Hans, Marie, Kecal)
Irmgard Seefried, Waldemar Kmentt, Oscar Czerwenka and Bedřich Smetana
Romanzo
Ennio Morricone
Vivaldi: Cello Sonata in E Minor, RV 40 - Arr. Bazelaire for Cello and Orchestra: I. Largo
Pierre Fournier, Stuttgarter Kammerorchester, Karl Münchinger and Antonio Vivaldi
Requiem Aeternam and Dies Irae Move Hil Into the Sun
Benjamin Britten and London Symphony Orchestra
Das Rheingold, Scene 1: Garstig glatter glitschriger Glimmer!
Norma Sharp, Ilse Gramatzki, Marga Schiml, Hermann Becht, Bayreuther Festspielorchester, Pierre Boulez and Richard Wagner
R. Strauss: Der Rosenkavalier, Op. 59 / Act 1: "Mein lieber Hippolyte"
Régine Crespin, Murray Dickie, Manfred Jungwirth, Anne Howells, Wiener Philharmoniker, Sir Georg Solti and Richard Strauss